Kate Schutt is a New York City-based singer, songwriter, guitarist and producer. Schutt received education in Harvard’s English department, where she studied the influence of jazz on modern poetry, and at Berklee College of Music, where she studied jazz guitar. Growing up, her biggest influence was the electrifying music of Tina Turner, which inspired her to learn to play the guitar, bass, and drums, and also how to arrange music, produce records, and write film and theater scores.
Kate stopped by the BIRN studios to play a live set on June 22, 2019. Listen to the entire set here:
Watch Kate play “Fight the Good Fight” and “Nothing I Won’t Bear” here:
All Berklee College of Music and Boston Conservatory at Berklee students are invited to join the Berklee Internet Radio Network team this summer. Come to our first meeting of the semester on Monday, June 3 at 6:00 p.m. in room 112 of the 22 Fenway building. You can also earn 1 credit towards your degree by taking the MTEC 200 course. For more information about the course, click here. We are looking forward to meeting you. It should be a great semester.
The Psychotic Monks – Private Meaning First – post-punk
Starting my prime slices with one of my all-time favorite bands: The Psychotic Monks. A French post-punk noise band with aspects of ambiance and ethereal moods, quartet Psychotic Monks have released their record Private Meaning First. The record that cradles you with hypnotic rhythms and sounds from an ethereal place. Private Meaning First, their second record, following Silence Slowly And Madly Shines, takes you through a journey that rattles you in your seat, with high quality guitar tones and production. It’s very hard to stray away from this band once you experience their art; it grabs you by the neck and pulls you in.
What I love most about this band is that they have mastered the art of “taming the chaos.” With sounds that are only created with psychotic minds, this group of four has mixed the perfect amount of structure with madness to pull even the average Joe into their cryptic sound. I hope to see them live in the future, but for now they are only playing shows in their homeland, France.
The Accidentals, a female–fronted, multi-instrumentalist power trio composed of Sav Buist, Katie Larson, and Michael Dause, kicked off 2018 with the release of their album Odyssey, on Sony Masterworks. They followed the release with two hundred days of touring nationally, seventeen festival appearances, placements with Turner Classic Movies and FOX sports, and a RAM Trucks BANDvan #tourtough commercial.
BIRN Alive is home to great live performances and insightful conversation every Saturday at 4:00 p.m. EST on BIRN1.
Tune in to birnCORE on Thursday, May 2 at 8:00 p.m. for a broadcast of the live performance by pianist, songwriter, singer and actress Alicia Witt live from the Red Room at Cafe 939.
Witt kicks off her 18 city North American tour supporting her latest release, 15,000 Days, here in Boston. The EP, her fourth release as an independent artist, is a sweeping, big-hearted record, its songs rooted in modern arrangements and timeless melodies. Witt wrote the material during a busy period that found her starring in the TV series Nashville, stealing the spotlight with an appearance on The Walking Dead, and playing shows — including a performance on the Grand Ole Opry — in the wake of her previous album, Revisionary History. The five songs that comprise 15,000 Days are rooted in the lessons learned during a life spent onstage, behind the piano, in front of the camera, in love, out of love, and en route from one destination to another
Anna Clendening released her six-song debut EP, Waves, in February, and it is definitely one you don’t want to miss. Clendening is “rebranding what it means to be a pop star by creating uplifting tunes for the betterment of society” (Dominiq Robinson, AXS Contributor). This EP has a perfect balance of familiar yet unique sounds, both production and writing-wise. Clendening’s voice is nice to listen to, and the production of each song leaves you wanting more.
The EP begins with a song titled “Invisible.” The song talks about the struggle of being in love with someone that can’t reciprocate; someone who actually doesn’t know you exist.
“I’m in love with someone who doesn’t know I exist
I stare from afar in my hand-broken heart while I play pretend
I’m in love with someone who doesn’t know I exist
And it’s you, yes, it’s true, you don’t even know it, I can’t ever win”
The band Wand releases their album Laughing Matter and it is a haunting collection of songs that is marked by the confidence and fervor of a band that has grown together throughout the years of dedicated jamming, recording, and touring across the world. Having already released four records, Laughing Matter takes an obvious turn with the more ambient and synthetic songs. Yet it’s still keen to their hand-crafted rock ‘n’ roll sound they have so meticulously crafted, creating a different atmosphere that highlights the changes this band has gone through. My favorite tracks off the album are “Scarecrow” and “Wonder.” “Scarecrow” starts the album with their classic psych rock feel, but infused with sounds of Radiohead, giving it an unworldly sound. “Wonder” starts out with a heavy distorted guitar, giving it that gritty rock texture, with a powerful melody, reminds me I’m listening to true rock stars. Wand says, “Laughing Matter is a record about love in a time of terror; it calls you down from panic room labyrinths, to work the deep tissue of unraveling trauma we all carry so dear.”