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Coming up on BIRN Alive: Nathalie Hernandez, Paper Citizen and more

(Pictured: Jessie J Ensemble)

BIRN Alive is wrapping 2019 up with more exciting live performances and interviews from artists of varying styles and diverse musical backgrounds. Don’t miss out! 

Saturday 12/7 – 4 PM: Nathalie Hernandez 

A powerhouse vocalist and young former contestant of The Voice, Nathalie Hernandez is dedicated to being an honest voice as a 21st century female. She plans to release her debut single in the near future. 

Sunday 12/8 – 7 PM: Paper Citizen 

Paper Citizen is an indie rock project led by Singaporean singer-songwriter Claire Gohst. Although the project is Boston-based, Gohst began making a name for herself by performing locally in Singapore at 18. Combining her artistic roots and new musical discoveries, Paper Citizen was formed during her first few years in Boston. 

Saturday 12/14 – 4 PM: The Dana Roth Group

Currently attending Berklee College of Music, Dana Roth is an active bassist, composer, and music producer. She has recorded music with Ester Rada, Yael Deckelbum, and Tamir Grinerg among others, and has toured the world at venues such as Blue Note Tokyo, Ronny Scott London, and New Morning Paris. 

Sunday 12/15 – 8 PM: Los Walters (pre-recorded on Sunday, November 10)

Made up of Ángel Figueroa and Luis López, Los Wálters is a Puerto Rican electronic pop duo with beginnings in 2011. Written and recorded in different locations across Latin America and the United States, the duo’s music is often inspired by their diverse surroundings, while keeping their signature Caribbean and electronic sound. 

Tune into BIRN1 for exclusive live performances and interviews every week while college is in session. The BIRN wishes you a great holiday season and a happy new year!

If you are an artist or are in a band that would like to play BIRN Alive in the spring semester, send your band/artist links to birnalive@thebirn.com.

Here’s a recent BIRN Alive performance by the Jessie J Ensemble: 

Kelsey’s Prime Slices of the Week (12/9-12/14): Colony House, Will Samson

Colony House – “Original Material” [single] – indie rock

Colony House‘s latest single “Original Material” is a song to sing along with. The track is wonderfully reminiscent of the early days of the indie rock scene, while still bringing a fresh sound to the Nashville music scene. Colony House has definitely created an indie rock anthem with “Original Material” that anyone can enjoy – complete with clean guitars, simple vocal effects, and harmonies. The verses are full of colorful and creative lyrics, and the chorus is incredibly catchy; the fun never ends in “Original Material”! Give it a listen below!

Continue reading “Kelsey’s Prime Slices of the Week (12/9-12/14): Colony House, Will Samson”

Weakened Friends – The BIRN Interview

Coming from Portland, Maine, Weakened Friends is a rock band using music as a low pressure outlet for expressing volatile emotions. Their latest release and full-length debut Common Blah delves into the chaos and confusion that often comes with the arrival of adulthood.

Today, we’re chatting with Weakened Friends members Sonia Sturino, Annie Hoffman, and Adam Hand, to learn more about their songwriting process, the story behind Weakened Friends’ formation, and their album Common Blah. 

Where did you get the inspiration for your band name and what does it mean to you? 

It’s just a weird play-on-words name. It really doesn’t have a big meaning or anything. No one knows how to spell it right, so we find ourselves constantly explaining it to people! Like “we’re Weakened Friends … you know weak like someone hurt you.”

 What is your songwriting process? Do you write together most of the time or does one person write the songs? 

A lot of times I’ll (Sonia) write the basis for the song on my own and have most of the melody, lyrics and structure together before bringing it to a band setting. Eventually, Annie and Adam who are big musical brains will help really shape it and make it “smarter” and will flush out the final arrangement. Although the initial writing happens on my own we do really work together to get the song in it’s final form. I never went to a music school or got formal training/education in music, so I mostly just do what I do by ear or feel. Annie and Adam both went to Berklee and are like super smart with how music works, so it’s always interesting to hear how the ideas I come up with actually make sense. Not to mention Annie and Adam are both engineers and kick ass in a studio setting both with engineering and production. It’s a real treat to get to work with great musicians who just get what you’re trying to accomplish with a song and work with you to help take it there and honestly beyond.

How would you describe your sound? Did you go through different phases before you found your sound or was it naturally there? 

I don’t really love the “tell us about your sound question” if I’m being honest, it makes me feel like I’m talking to my hair dresser or a distant relative. Music is audible and art is subjective. Everyone will have their own take on it and I think that’s all I have to say here is, if you’re reading this just go check it out and listen to it and describe the sound for yourself.

Who are your inspirations and how do they influence your music?

It’s always changing and it can be anything at any time. Most times, I’m really inspired by our peers and bands we actually are friends with who are out there working hard and making great music. They are struggling just like us to get by and get their art out, knowing that there are people out here doing what were doing in this crazy messed up industry makes me feel less alone and also is super inspiring.

(Let’s talk about your 2018 album Common Blah) What inspired you to choose to name your album Common Blah and what was the general message/vibe of the album? 

I thought it was a funny pun at the time. I kinda hate it now. I’m just excited to make a new record at this point. The songs have a lot to do with feeling stuck in a bad spot in life and working hard to get past that place.

What was your process when selecting the songs on the album? 

They were the only ones we had done! We’ve had a line up change since that record came out, so on this next one, I think we’ll actually have a bulk of work to choose from and less of just a taking what we can get.

Where did the idea for the “Blue Again” music video come from? Was it as fun to make as it was to watch? 

We didn’t have much of a budget so we just wanted to make something that looked weird and cool. Our friend Randy actually lives in the space it was filmed in which is this old church he’s converted into a music space/home. Smashing things with a bat was pretty therapeutic!

How has signing to Don Giovanni records impacted your band’s outlook? What kind of things are you able to do now that you couldn’t do yourself?

Joe, who runs the label, is really cool. They are a smaller indie label but they are well connected and have a good relationship with a lot of folks in the industry. Honestly, the age old ” MY BAND GOT SIGNED LOOK AT ME, MOM, WE MADE IT” is total bullshit… we still very much grind for any sort of opportunity. A good DIY or indie label are just partners in that grind. I like that they believe in us and our music and are willing to take the platform they’ve built for themselves and share it with our band.

Recently you worked with Jay Mascis from dinosour jr. What led to that collaboration and how much of an influence were they on your sound? 

At the time, we were on the same management as J, so that kinda got pushed together by our then-manager.  I love Dinosaur Jr. so it was really neat to say, “hey J played on our song.”

What have been your favorite gigs to play and why? Do you prefer more intimate or larger crowds? 

I prefer larger crowds and anyone that tells you otherwise I truly believe is bullshit. I think the goal is to reach as many people as you can, this is coming from someone who still had to stomach playing to empty rooms. Fest in Gainesville, FL this year was so awesome to play, we also got to open for the band PUP at Halifax Pop Explosion this year which was out of this world… the crowd was massive and so into our set. We played a festival in May in Europe called London Calling in Amsterdam and it was one of my favorites of the year as well.  Back in June, though, we had a super special moment: we were supposed to support this band Slothrust at Port City Music Hall up in Portland… but the singer got sick and canceled day-of. So, we told people we were playing a secret set and told them to ask us for the address (we had to stop giving it out because the number of guests started getting scary) and we had a small show in the basement of our home!! We crammed like 60 people into the space and it was magic!

What was the hardest song for you to write on the album? What was the most satisfying song to complete? Can you (each) tell me what your favorite song on the album and why?

I (Sonia) really like the songs Not Doing Good and Early. They’re the most emotional to me. Blue Again I think is a overall favorite. Ever since Adam joined the band back in May I think all the songs really pop and come to life in a really great way, his playing kinda adds the final touches to the tunes, even though he didn’t play on the record.

Annie – When I hear that record, I always play Not Doing Good twice. I think Sonia really captured a very specific and visceral moment that hits people in the after-shock of a significant relationship’s ending. That song really hits me in the guts. Plus, it’s so much fun to play live.

Can you tell us the story of when you all met and formed the band? Name one special thing that each band member brings to the table that you couldn’t live without.

The band started in the summer of 2015. With myself, Annie and our original drummer, Cam. I had been friends with Cam for a while and we played in other bands together, and Annie was in a band that our old band played shows with from time to time. And yeah, I asked Annie and Cam to play on my new project and it was really fun!! Like I mentioned, Adam joined the band recently in May, but it was a really quick fit since Annie and Adam played in bands for years before that and we all like the same kind of music. I actually, outside of playing in the band, manage the band and essentially keep everything organized. Annie engineers and produces all of our recorded music. Adam has now joined in on the engineering AND he knows how to essentially fix or build anything musical equipment related.

(Let’s talk about your new single “What You Like.”) Can you talk about how this song was conceived and what it means to you?

“What You Like” is a song about embracing the feeling of inadequacy or feeling as though you’re constantly the underdog no matter how hard you work or how far you’ve come. When I wrote this song, we had just released a record and there’s a great deal of pressure and anxiety that comes along with that. I remember thinking, “Wow. What if it sucks? What if everyone hates it?” I took that feeling and ran with it. I told myself, “You know what? Screw it. Sure, you’re not always going to please everyone. You may feel like inadequate, but rather than cower, go scream it from the roof tops. ‘I’M NOT PERFECT AND I DON’T CARE!’” I wanted to craft an anthem for all of my fellow self-deprecating and anxiety-ridden folks. We need one.

What are your current goals for the upcoming new year? Any new year’s resolutions? 

The same thing we say every year: Make a new record and take over the world.

What advice would you give Berklee students about pursuing a music career?

There’s no rules, there’s no playbook or textbook (lol I realize you’re literally in school for this stuff, but seriously, its the wild fucking west out there). Just do you, keep inspired and creative, and keep going. There is going to be times you’re broke as hell, you’re hungry, you feel like you can’t keep doing it. Get used to hearing no and always saying yes. Also don’t try to make everything so technical… we get it, you’re good at music … but songs that speak to people can be simple. That’s all.

Thank you, Weakened Friends!

Be sure to check out the Weakened Friends performance on birnCORE live, coming up at 8PM on December 5! The show will also feature Mom Rock and Lady Pills. Tickets are on sale now: https://www.etix.com/ticket/p/8508282

Curtis Heimburger (Mom Rock) – The BIRN Interview

Founded during their first year at Berklee College of Music, Mom Rock is a lively alternative rock group influenced by bands like Weezer, Talking Heads and Catfish and the Bottlemen. Recently hitting over 333,000+ streams on Spotify and quickly winning over a dedicated following, they’re climbing to success quicker than ever. 

Today, we’re chatting with Mom Rock’s founding member and the BIRN’s station manager Curtis Heimburger, about the story behind Mom Rock’s formation, the scoop on Boston’s underground music scene, and exciting new projects coming up. 

Curtis, congratulations on Mom Rock’s singles “Conversation” and “Grand Romantic Life” reaching over 100K Spotify streams! Can you tell us a bit about how you met the other members of Mom Rock, and what led up to you guys working together? 

Thank you so much! Well at the beginning of my first semester, there was an impromptu jam session in the basement of the 270 Commonwealth Dorms. We were going around the room playing songs we knew and somehow we started playing an Alabama Shakes tune. I was really into them at the time and so was Josh Polack who had been standing next to me playing guitar. So, we connected that way and would see each other and talk at the cafeteria a bunch. After we got back from Christmas break and had started our 2nd semesters, Josh and I were chatting and he said he’d talked to a drummer, Wilson Reardon, about setting up a jam and wanted me to come. After that initial practice we decided we wanted to meet up again and tentatively agreed on trying to form a band. We later recruited our first bass player Miguel Aragon who played with us for our first few shows from March until May when we all had to part ways for the summer. Before the summer ended, he told us he wanted to leave the band so that he could pursue other musical endeavors. So, we’re once again bass-less. At the start of our 3rd semester, we held auditions to find a new bass player and Josh had mentioned he’d recently reconnected with an old friend and bandmate, Tara Maggiulli, who he had invited to audition. Right away we knew we wanted her in the band and a year later, here we are!

Why did you decide to call yourselves “Mom Rock”? 

Well when we were trying to come up with a name, we were trying to go for something that sounded cool. I had come up with a few names and among them was Mom Rock, which was definitely the odd one out. But Wilson, Miguel, and I, half joking and half serious, wanted to name the band that. Josh was hesitant at first but later admitted he’d really come around to liking the name. We see it as a way to thank all moms, but our moms especially, for all the hard work they did raising us and the work they still put in day to day. Plus, we wanted to take the spotlight off Dad Rock for a while.

What were your initial expectations for Mom Rock, if you had any? Did you ever foresee the success you’re currently experiencing?  

I wouldn’t say I had any expectations going into it. I just knew that I wanted to be playing shows as well as writing and recording music again. I never would’ve thought we’d be where we are at all! I couldn’t be more grateful for our fans and friends who attend every show and listen to our music.

Can you describe the (literal) underground music scene in Allston, for those who have never been to a basement show? Do you perform those basement shows differently from more traditional concerts at venues? 

Well, every year when college kids move out of their dorms, most will find two or three friends to split apartment rooms throughout the Boston area. But some will get about 8-10 people to go in on a house together and will use their basement for house shows. Within the year, the venues grow in popularity and have show’s every other, if not every weekend. When the leases are up, the scene resets and we get a new set of venues. Some of course renew their leases or just move houses and keep the name, but for the most part it’s ever changing which is what makes it so exciting. The scene is a win win win situation; people get the chance to go see their friends play as well as listen to new bands for cheap, Bands get a local venue to play at where they know people will attend all the while getting paid, and the venue takes a cut of the door to help with rent or utilities. I think every city/town should have a system like this. Getting shows at bars and clubs isn’t easy when you’re just starting out and having a good place to play can help get anyone’s feet off the ground. As for our performance, it’s definitely where we feel most comfortable. But since we like to move around a lot, it can feel pretty cramped. No matter what though it’s the same moves, same songs, and same energy!

What was your experience at Mom Rock’s first ever show vs. the most recent one? 

Our first show was in March of 2018 at the Great Scott upstairs venue. We were definitely shaky and made quite a few mistakes but it was a bunch of fun and we put on a good show. I remember I wore my favorite Hawaiian shirt and we covered “Lithium” by Nirvana, “Just” by Radiohead, and “My Name Is Jonas” by Weezer. Regardless of how we did though I was shaking with anticipation. I was so incredibly excited to be playing again and to be honest, that feeling doesn’t really go away. Our most recent show was a house show charity event where we played last out of 6 bands. It was a long night and we were all pretty tired before we were about to play but as soon as we got on that stage we lit up and gave the best show we could. The one thing that hasn’t changed is our presence on stage. We love giving people a show and if the audience is into it, then we’re into it.

Looking at your visual aesthetic and musical influences, you definitely have a lot of 80s/90s nostalgia going on. How do you incorporate that into your music while also bringing something fresh and modern to the table? 

At the start, before we even rehearsed, me and Josh wanted to do something in the same vain and style as Weezer. It was one of the few bands we completely agreed on musically and lyrically and we kind of used that as a base. After writing the first couple songs we started to realize that it was a bit of a melting pot of both Josh’s and I’s music taste. We wanted our music to be accessible and fun but also have some grittiness and honesty to it. Plus, we had noticed that there were very few bands in the scene putting on a show with energetic/fun songs. The aesthetic is a much different story though. I was at a friend’s house when I spotted in her closet, this purple and gold two-piece jumpsuit. I had never really seen anything like it. I asked her about it and she said it didn’t fit her so she was going to return it. Being the person I am, I immediately asked to try it on and it turned out it fit! …sort of. I paid her $40 for it and showed the band who also loved it. Slowly over the following months, the band looked high and low for their own unique jumpsuit and color. Having set outfits is of course not a new concept but you rarely see bands in something other than what is basically street clothes. Even just having a set t-shirt you wear is better than nothing. We just really want to give people something to look at as well as help people remember who we are and I think it’s worked out pretty well so far. 

How would you break down Mom Rock’s general writing process? Is there one person who is good at coming up with the concept and lyrics, while another member’s strong suit might be melody and arrangement? 

Josh and I are currently the only songwriters in the band but we always like to bounce our ideas off each other when we can. We both like to write the entirety of a song by ourselves and if we think we’re finished or we get stuck, we’ll go to the other person to get their take. Once we both think we got a good finished song, we’ll show it to Tara and Wilson to get their thoughts. Songs are always open for critique but we also have a rule that every song gets a chance to be played by the band before we make the decision to add it to the set or not.

Mom Rock has been releasing singles pretty consistently, so what’s coming next? Can fans anticipate an album in 2020, or possibly a tour? 

You can definitely expect a few more songs to be released between now and next semester! Most likely not an album but quite possibly an EP. We’ve also actually just booked flights to go to Austin, Texas over our Spring break so we can have the chance to play in SXSW as well some other venues around Texas. Last but definitely not least, I won’t say too much but new outfits are currently in the works and are being handcrafted by my very own Mother so stay tuned!!

Thank you, Curtis! 

Be sure to check out Mom Rock’s performance on birnCORE live, coming up at 8PM on December 5! The show will also feature Weakened Friends and Lady Pills. Tickets are on sale now: https://www.etix.com/ticket/p/8508282

birnCORE Live featuring Weakened Friends, Lady Pills and Mom Rock is next week!

Get your tickets to birnCORE Live, fall 2019! The show is next Thursday, December 5 at 8:00 p.m. featuring Weakened Friends, Lady Pills and Mom Rock.

Admission is $10 in advance, with a student discount for $8, and can be purchased here.

To win a pair of tickets to the show send an email with your contact phone number to tickets@thebirn.com. Make sure you have birnCORE Live as the subject for the email! Good Luck and see you next week.

Ryan’s Album of the Year Pick: Matt Maltese’s “Krystal”

Matt MalteseKrystal – indie rock

As 2019 comes to a close, we can look back and confidently say that it will be remembered as a fantastic year for music. The sheer amount of talent from independent artist this year has been surreal, and picking a favorite album  was incredibly difficult, but I believe that one artist in particular stands out from the rest! Matt Maltese’s Krystal is beautiful, yet hard to describe,  it’s an incredibly complex and dynamic album that leaves you listening over and over again, trying to pick out all the subtle nuances of each track. Matt has such a distinct tone that stands out from the rest and classifies him in a league of his own. Matt uses incredibly satisfying and unique blends of old school arrangements, and modern songwriting to create an incredibly fresh and unique sound that I have yet to hear anywhere else. His lyric’s range from the dark and obscure, to soft and tender and tote the line of pure poetry. Everything Matt has done in the past has taken on a life of its own, and his latest release is no different. If you’ve never heard of Matt Maltese, I cant recommend him enough!

Recommended Tracks: “Rom-Com Gone Wrong” and “When You Wash Your Hair”

Give Krystal a listen below!

Kelsey’s Album of the Year Pick: David Huss’ “Intuition”

David Huss Intuition – folk

2019 has been a great year for music. As I think back to all of the amazing albums I’ve been fortunate to review, one album stands out – David HussIntuition. Each song on Intuition has its own story and feeling, while still working to create a beautiful folk sound that could only belong to Huss. Some standout features of the album are Huss‘ honest vocals, heartwarming lyrics, steady fingerpicking, and smooth fiddle lines. One of the most exciting aspects of Intuition is how well it showcases Huss‘ strength as a songwriter. Each song is a journey, painting a picture for listeners through various instruments, harmonies, and melodic shapes. One great example of this skill is the song “Wings”. The track takes its time to build in a natural and pleasing way; it begins with vocals and acoustic guitar from Huss and slowly grows into a full and welcoming sound with vocal harmonies, brushes, and strumming. “Wings” is an outstanding and gorgeous track from Intuition – one of many that are all worth a listen! Check out Intuition below!

Ryan’s Prime Slices of the Week (11/18 – 11/23): The Districts, Hoops

The Districts – “Hey Jo” [single] – indie rock

Indie rock’s newest shining star is a band called The Districts, and they’re making big strides! Featuring a light ambient arrangement and a smooth emotive vocal cutting through the mix, this song is an up and coming indie anthem, leaving us all excited to hear what’s next! The lyrics of this tune paint an uncertainty and pain of being left behind. This single from The Districts  newest album “You Know Im Not Going Anywhere” that is set to release in the coming months.

Were are all very excited to hear what they come out with next, so give it a listen and see for yourself!

 

Hoops – “They Say” [single] – indie rock

Releasing their newest single in two years, Indiana dreampop trio, Hoops are back after a long hiatus and better than ever! This track breaks into a smooth funk inspired  groove that gets you moving before the first word. The smooth vocal styling swaddles the entire song in warmth, and relaxation tying the entire arrangement together. “They Say” is a feel good song that’s bound for the charts and we’re all excited to have them back! Hoops are on tour for the first time since their hiatus and you can see them live, December 4th at The Dance in New York City!

Listen down below!

Show Review: Gus Dapperton at Royale (11/15)

Friday night was one to remember for Gus Dapperton fanatics and new listeners alike. After opening acts Yendawg and Spencer riled up the crowd, the anticipation was higher than ever as fans were pressed up against the bars, waiting for the big moment. 

Gus’ arrival was just as “Gus Dapperton” as it could get. As each band member took their place while kicking off the opening song “Verdigris”, Gus pranced up to his microphone and greeted Boston warmly with his goofy moves. He then immediately captivated the audience as he smoothly transitioned his classic debut, “Moodna, Once With Grace”–in which he swayed with his bassist in the midst of the performance, a memorable moment for fans. 

His band–consisting of his sister Amadelle and his close friends from home, have a special dynamic and chemistry that is incredibly welcoming. The band felt just as important to the show as Gus Dapperton himself, often a difficult balance to achieve for solo acts. Gus’s band gives him the ability to truly own the show–you can tell by the way he freely moves across the stage, interacts with the other members and engages the audience whenever he wants. His energy radiates into the crowd effortlessly, and I think it’s safe to say that his band plays a significant role in that. 

Before he broke out into “Of Lacking Spectacle”, a fan favorite, he said to the crowd: “I’m gonna put my guitar down for a little bit and dance”. Along with being a skilled guitarist, producer, vocalist, and songwriter–Gus is widely known for his odd yet endearing dance moves. Often improvising along the way, he isn’t afraid to bring his personality into it–even if that means kicking his feet in the air and looking silly. Astonishingly, Gus perfectly kept up his powerful vocals while playing guitar and jumping up and down simultaneously. Depending on the song’s energy, he would either sing with a soft, calming falsetto or break out into raspy metal-like vocals. Gus certainly has a way of bringing great versatility to his synth-based music, even incorporating acoustic guitar into his performance at one point. 

One upbeat song after another, there was finally a pause. You could feel the excitement of the crowd even through the silence–not knowing what was coming next. “You guys can dance for this one if you want to,” said Gus. Everyone immediately screamed, recognizing the opening guitar riff immediately as he began performing “Prune, You Talk Funny”: the song he may be most well known for. Not a single person in the room was standing still, and it was endearing to see his band jumping in sync together. Gus seemed just as excited to play this one as the whole audience was to hear it. Gus’s genuine love for his art shines through the commitment he has to each song he plays, all the while maintaining a steady humbleness. And even when the screams died down during the ballads, you could hear the lingering excitement within the silence. There’s a distinguishable difference between a bored crowd and a crowd that’s listening–and you could tell that most people in the room were hanging onto every one of Gus’ words. 

Seeing the Royale filled with such a wide variety of faces and ages, it’s admirable to see how much Gus’s following has expanded over the past year or so. He puts on such an entertaining show purely by acing the art of performance, something that even some superstars fail at. If there’s one thing I figured out at this concert, it’s that you don’t get the full “Gus Dapperton experience” until you see him perform. 

Show Review: Emily Bear at Cafe 939 (11/8)

On Friday night, Emily Bear captivated a loyal audience of friends, family, and fans that filled the room at Café 939. On tour promoting her new Emotions EP, Emily Bear reinvented the atmosphere of Cafe 939 in a way that was uniquely her own. 

From beginning to end, Bear immediately broke down the walls that separate the artist from the audience with her casual demeanor and charming personality, converting strangers into fans. With every song came personal stories with themes ranging from feeling the pain of heartbreak to owning that same pain and repurposing it in a positive way. She moved the audience with these stories, illustrating them with transparency proving her emotional depth.

One of the most interesting elements of Emily’s performance was the way she utilized her classical piano background to compliment her more contemporary pop songs. With the support of her band (Max Gerl, Kyle Thornton, and Nathan Hicks), her swift piano phrases merged effortlessly with her rich voice. As the show progressed, the intimate nature of the performance was heightened by the distinct chemistry Emily had with her band. During every solo, each band member displayed their reverence for one another, flashing faces of approval as if in a jam session. Some of my favorite moments involved her moving from the center stage keyboard to the grand piano that hung back with the band. It was special to witness her pouring all her energy into complex classical arrangements after being astonished by the tremendous piano skills she maintained while singing her original music. 

The room was especially impressed by her rendition of Elvis Presley’s, “I Can’t Help Falling in Love With You,” and The Beach Boys’, “God Only Knows,” showcasing her voice in a way unlike any of the other songs. Throughout the show, Emily progressively proved her songwriting prowess, with every original sounding different from the last. Her capabilities were even more notable when she sang a new original called “Ghosted” that she had only performed once the night before. With relatable lyrical content that elevated in the pre-chorus atop a bassline driven arrangement, “Ghosted” is a strong representation of Emily Bear’s songwriting chops.

 With an exceedingly high level of talent and character, Emily Bear is down-to-earth and carries herself with grace, possessing the potential to command the world stage. As an experienced musician, songwriter, and vocalist, she brings a heavy arsenal to the table and is able to wear a lot of hats. The capability she has to achieve greatness was apparent at her show on Friday and I hope to see more from her in the future.